• I am conscious of my social responsibility as an artist. All art is embedded in a social framework My works...

    Portrait of Gerold Miller.  ©Jan Windszus, Berlin

    I am conscious of my social responsibility as an artist.

     

     

     

     All art is embedded in a social framework

    My works are all visual experiences and statements that always have a contemporary reference. Already in the early days I grasped that everything is subject to form, that nothing can happen with-out form. And that all art is embedded in a social framework.

  • "To reduce my art works to one type of work only would be very one-dimensional. As open objects, they can be wall related sulptures, drawings in the space, or flat architectures. They unite antipodes, however they are deeply rooted in the here and now."

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  • GEROLD MILLER EXPLORES PICTORIAL QUESTIONS THAT ARISE INSIDE THE TERRITORY OF SCULPTURE AND CREATES ARTWORKS IN A CLOSE RELATION TO THE SPACE. 

    THE SIGNATURE LACQUERED SURFACES IN HIS WORKS ARE REFLECTIVE, WHICH CONTRIBUTES TO THE SENSE THAT THE EXHIBITION SITE AS WELL AS THE VIEWER ARE AN IMPORTANT PART OF THE WORK. 

    IN A FIELD MIDWAY BETWEEN MINIMALISM AND CONCEPTUAL ART, THE GERMAN ARTIST COMBINES THE EXTREME FORMAL ECONOMY OF GEOMETRIC MOTIFS AND A CERTAIN DEGREE OF STYLISH PLAY OF COLOUR AND TEXTURES.
  • As an artist who works in the realm of the minimal and conceptual, I don’t assume the presence of the...

    View from Gerlold Miller's Studio in Berlin

    As an artist who works in the realm of the minimal and conceptual, I don’t assume the presence of the picture but develop it by moving towards it from a maximum distance.

     

     

    My works mark the border area between sculpture, wall area and painting. They include all elements of a picture: composition, depth, format and color. But they are fragmented and put together again in the simplest way possible. This is a method I have been applying until today, working on the notion of a picture as a spatial concept.

  • set series

    • Gerold Miller, instant vision 253, 2022
      Gerold Miller, instant vision 253, 2022
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    • Gerold Miller, set 548, 2019
      Gerold Miller, set 548, 2019
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    • Gerold Miller, instant vision 259, 2022
      Gerold Miller, instant vision 259, 2022
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    • Gerold Miller, instant vision 258, 2022
      Gerold Miller, instant vision 258, 2022
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    • Gerold Miller, set 603, 2022
      Gerold Miller, set 603, 2022
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    • Gerold Miller, Verstärker 20, 2017
      Gerold Miller, Verstärker 20, 2017
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    • Gerold Miller, Verstärker 32, 2018
      Gerold Miller, Verstärker 32, 2018
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  • A boundary between sculpture and painting and between internal and external space. From the early 90s, Gerold Miller's aim was...

    View from Gerlold Miller's Studio in Berlin

    A boundary between sculpture and painting and between internal and external space.

     

    From the early 90s, Gerold Miller's aim was to create frame-works. He has successfully transformed something secondary in contemporary art, such as a frame, into the main subject of his works of art. His method is conceptual, analytic and rational. 

     

    Miller's artworks don’t determine an image, but rather a boundary between sculpture and painting and between internal and external space.

     

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